Museum of Fine Arts Zurich Swiss Museums by Christian Klemm

On the weekend of Pentecost at LAC concerts and artistic initiatives volition exist offered with the famous Swiss-Argentine soloist and the OSI under the leadership of its principal manager Markus Poschner. The aim is to experiment with alternatives to the formal framework of the classical symphonic concert with soloists, which has remained practically unchanged from the end of the XNUMXth century to the present day. The public will therefore be able to notice new ways of enjoying the concerts, inspired by the original setting in which the pieces (especially from the kickoff part of the nineteenth century) were composed, conceived and performed and too taking into consideration the scenic and theatrical component in the spaces. multifunctional and creative of the LAC.

Co-ordinate to Sol Gabetta, much of the historical repertoire requires greater attention precisely to the theatrical dimension of the performances: we demand to call up about every item that can influence both the way of playing and the mode of enjoying the music, from the lighting, to the arrangement of the stage and of the public.

Markus Poschner also underlines the importance of this experimentation: «We wanted something that broke away from the regular concert life, which as well constitutes the majority of our business. We wanted to make this gift, not just me and Sol, but the unabridged Orchestra of Italian Switzerland, because we are thirsty for new directions: we are looking for meaning, for other perspectives ». Three editions of the festival, created in co-production with LAC, are initially planned, at least until 2024, under the artistic direction of Sol Gabetta together with Balthazar Soulier.

The concert picture

The project Presence, since its offset preview in May 2021, information technology has also been an opportunity to make original video footage, in particular a special one concert movie with the participation of REC from Lugano and highly specialized audio engineers. Among them the technicians of The Mono Company, founded and directed by Damien Quintard, rise star among sound engineers, collaborator of Teodor Currentzis among others. The making of the concert moving-picture show, through a very careful post-product phase, up to its official presentation to the public, was documented past an unabridged episode of the famous German classical music broadcast KlickKlack, directed by Alexander Hellbrügge (visible on the site).

Festival Presence

3 - 6 June 2022, LAC

Orchestra of Italian Switzerland

Markus Poschner conductor

Soloist and creative direction Sol Gabetta cello

The image:
Sol and Poschner @ OSI - LucaSangiorgi

Starting from the works of the collection of Kunsthaus Zurich, the fruitful interaction betwixt disease and pain, medicine, treatment and healing is retraced in half-dozen chapters through 300 works, of which over 250 come up from effectually xl national and international lenders. Some ancient examples date back to the fifteenth century, while the most contempo works were created in 2022 specifically for the exhibition.

The exhibition, arranged in non-chronological order, includes a wide range of expressive means, including drawing, painting and sculpture, but also video, spatial installation and performance. The works focus on physical infirmity: the themes embrace the "gilt age" of medicine, "pandemics and prophylaxis", "complementary medicine and self-care", "the diagnostic gaze", the "organization hospital and nursing "," medication and research "and finally" people at the crossroads "betwixt the normal body and the singular trunk. Illustrious names are combined with young female artists in their twenties to acknowledge the wide spectrum and fascinating development of the contend concerning the ill trunk.

The purpose of the exhibition, conceived and conceived by Cathérine Hug, is not to present fine art as an illustrator of medicine, but to foster through dialogue the mutual understanding of two systems at the basis of our gild. Through its sensory and intuitive interpretation, art tin make a key contribution to the understanding of interconnected systems such as torso and heed, disease and healing, faith and scientific discipline. Art and medicine are physically tangible and generate empathy, simply they can besides pb to significant divergences between those involved.

For a long fourth dimension medicine was not given the weight that this discipline has today; similarly, even today the importance of art in medicine is not recognized as it mayhap deserves. The Church has long opposed the sciences in general and medical research in particular since the latter, with its ain evolutionary approach, questioned the superior divine order. A meticulous selection of exemplary works from the nineteenth century, "the golden historic period of medicine", with significant collections from the medical collection of the University of Zurich, the graphic drove of the Zurich Polytechnic and the Musée de l'Assistance Publique des Hôpitaux in Paris, highlights several aesthetically compelling milestones, but also aberrations in the history of medicine. Real objects, that is historical specimens not conceived in themselves as art, are combined in an associative dialogue with the works of art. Undoubtedly, the matrimony between art and medicine is particularly axiomatic when the scientist or the healer and the artist converge in a single person, equally is the case in the numerous examples from Andrea Vesalio to George Chicotot, from Lotte Luise Volger to Adolf Fleischmann, passing through Martin Kippenberger and Panteha Abareshi.

In the nineteenth century at that place were substantial advances not only in the sectors of industry, mobility and communication; medicine also reached key goals in antisepsis, anesthesia and consequently in surgery, epidemiology and diagnostics. Hand in hand with technological evolutions, artists began to become more and more interested in the imaging techniques of medicine.

The exhibition was organized in collaboration with the Institut für Evolutionäre Medizin (IEM) of the University of Zurich and with the research group "Rethinking Art History through Disability".

Both exhibitions are curated by the Cultural Heritage Part. The goal was to bring the public closer to the works nowadays in the celebrated buildings of the cantonal territory, in an platonic path to rediscover the painter and a pregnant part of his artistic activity.

Museum of the Madonna del Sasso

Starting from Friday 8 Apr 2022 - every week, from Friday to Dominicus, until 31 October 2022 (opening hours: ix.30-12.30, 13.00-17.00, free admission) - information technology will reopen to the public on Museum of the Madonna del Sasso, located in the conventual part of the homonymous circuitous. 2 rooms of the Museum are dedicated to works past the great painter from Ronco sopra Ascona. In addition to the Self-portrait (1860), numerous preparatory studies, paintings and sketches related to the execution of one of his masterpieces, the Transport of Christ to the Sepulcher (1864-1870), a famous work that adorns a chapel of the Sanctuary, are exhibited.

Brissago Islands

The spaces of the big room on the lower floor of Villa Emden, located on the Large Island, will host, from 25 April 2022 to 25 May 2022, a series of panels with reproductions of drawings by Antonio Ciseri, extracted from a travel notebook dated betwixt 1871 and 1875, and with the theme of Lake Maggiore and the Brissago Islands . In their immediacy, the drawings evidence the refinement of Ciseri's stroke and his bang-up skill in studying from life. The exhibition volition be open to visitors during the opening hours of the Brissago Islands.

Antonio Ciseri, the creative person

The Ticino artist Antonio Ciseri (1821 Ronco sopra Ascona - 1891 Florence) comes from a family of ornate painters who regularly migrated to Tuscany for generations. At the age of 12 he was taken past his father to Florence and in the Tuscan capital he attended the University of Fine Arts, where he taught since 1852 and of which he was pro tempore manager in 1874-75. He distinguishes himself by making remarkable portraits of notables and contemporary artists. In the concluding 3 decades of action he obtained important commissions from religious orders that decree his fame as a painter of sacred subjects, including the aforementioned Transport in the Sanctuary of the Madonna del Sasso. An internationally renowned artist and 1 of the major exponents of the dominant academic culture in Italian republic and Europe, Ciseri passes from the Romanticism of his beginning compositions to a painting that is attentive to life, with a refined design, in the years of his maturity.

In add-on to those linked to the world of volunteering, cultural associations are also mobilizing to support Ukrainian refugees and allow them to continue a life as peaceful as possible and in continuity with the one they had earlier the Russian aggression.
Allow those in a crisis state of affairs to continue studying music. This is the purpose of the solidarity fund particularly activated past the Conservatory of Italian Switzerland, to which teachers and students, natural and legal persons, tin contribute. The drove aims to back up the continuation of the study path both for students already enrolled, simply in a state of affairs of economic hardship due to the war that is actively conditioning the life of their families at home, both for young refugee musicians and in homeland were following a course of study (in Ukraine classical music is much loved and practiced).

The Solarium as well makes its own structure available and activates concrete actions:

• That linked to the University of Music (SUM), where 5 Available / Chief places were immediately made available for Ukrainian refugee students, without invoicing the tuition fee. Places that from September 2022 volition be transformed into ordinary.
• That of the Pre-College (PRE): some other 5 places for Ukrainian refugee students, without invoicing the tuition fee. An instrumental / vocal audience will exist required for access. From September 2022 they volition be transformed into ordinary posts.
• School of Music (SMUS): making bachelor immediately, and within the limits of the availability of teachers and students of didactics (voluntary work or symbolic reimbursements), of every bit many places as possible for Ukrainian refugee students for instrumental and vocal activities, as well as orchestral, without billing of school fees.
• Choirs (SMUS): immediately, and initially, 15 seats for the choirs of the School, in particular the Clairière Choir, for Ukrainian refugee students, without invoicing the schoolhouse fees. Should the questions be more than numerous, the creation of a choir open up simply to Ukrainian students will be considered, with the aim of creating a meeting platform for refugee children and adolescents.
• Consider also involving Ukrainian musicians as salaries in these activities.
• Organize charity concerts for the victims of the war, and kickoff the concert Mavra of Flavour 900 nowadays on April three, 2022.

Forgive

Conservatory of Italian Switzerland Foundation
Column "Fund stud. music victims of war Ukraine "
IBAN number CH33007643727664Y0006
BIC / SWIFT BSCTCH22

The Conservatory of Italian Switzerland

The Conservatorio della Svizzera italiana is a training and development center of musical skills in its reference region and a cultural and academic establish of international importance.
It has consolidated this positioning thank you to the competence, commitment and conclusion of its team, faculty and students, who today come up from over forty countries effectually the earth, making it an organization founded on dialogue, multiculturalism and diversity.
These values ​​place the Conservatory of Italian Switzerland Foundation, which carries out its mission - which is both educational and cultural - by intertwining dialogue, peaceful coexistence and tolerance.

For the painter and musician of Maverick origin who spent half his life in Ticino, information technology is a return to Ascona where he lived from 1936 to 1950 before moving to Minusio and Muralto, where he is cached. The Ascona stay was extremely profitable, also considering with his wife Marta Hediger and his son Roberto he lived in the Torre dei Carcani house, on the lakefront, where other personalities from the cultural world resided such equally the musicians Leo Kok, Albert Möschinger, Vladimir Vogel with Aline Valangin , Bauhaus architect Carl Wiedemeier. He fit perfectly into the Ascona artistic surround, as confirmed by his participation in diverse art collectives and the frequentation of Locarno artists such as Bruno Nizzola, Max Uehlinger and Ugo Zaccheo. At the aforementioned time as a musician he continued to perform with a certain continuity, from Ascona to Lugano and St. Moritz, and to spread jazz music in which he was a precursor in Ticino.

In the Ascona exhibition, which remains open until June 26, about forty works unpublished so far are presented, mostly landscapes and oil portraits, as well as some charcoals. It is a careful synthesis of his artistic product in which Oskar Dickmann distinguished himself with a personal and constructive style. In retention of his of import action also as a musician, the presentation of the exhibition, curated by Dalmazio Ambrosioni and Christine Ledermann, will be preceded by a concert entitled "Music and discussion" with compositions past Leo Kok, Vladimir Vogel, Fritz Kreisler, Astor Piazzolla and Franz Schubert interpreted by Sophie Thiessen on the violin and Florian Heinisch on the pianoforte. Free Entrance

Ascona, evangelical church

Personal exhibition of Oskar Dickmann (Vienna 1896-Muralto 1972)

Opening Saturday 2 April 2022 at 18 pm

Until June 26 2022

Opening hours: after Sun services, before and after events, every Midweek from fifteen.00 to 17.00 and on request (079 442 48 77).

The selected artists are:

For the Rotary Club Bellinzona

• Ylenia Bruzzese, Reminiscence, 2020, Reverberation, 2022
• Mattia Dellamora and Elias Dörig, Artificial protophyll, 2021
• Maria Minussi, Mountains, 2021

For the Rotary Club Lugano

• Anna Domenigoni, The unfinished, 2022
• Amalia Teresa Frigerio, Genesis 3 - Archean, 2022
• Damiano Mengozzi, Exist Yourself, 2021
• Atiana Pankina, √ play, 2022
• Daniel Walker, wow, wow wow, 2022

For the Lugano-Lago Rotary Club

• Giulia Ferretti, Cinéma, 2020, Lucciole, 2020
• Francesca Masserdotti, Untitled, 2021
• Manuel Walter, Virtual Microcosms, 2022

For the Rotary Club Mendrisio

• Valerio Abate, Skiagraphia (I-II-Three), 2021
• Yuri Bedulli, Travidicedro, 2022
• Ares Pedroli, XYZ - Destruction, again, 2022
• Sandro Pianetti, Fomes I-Two-III, 2021
• Massimiliano Rossetto, Rock Studies Seven, 2021

* special mention to the artist Andreas Maciocci, New Generation, 2022

The other mentions for The rooms of fine art

The selected artists will be awarded economic appreciation prizes and together with the three artists awarded by the jury of the Chiasso Cultural Eye, will nowadays their works in two other locations in the area:

• From 30 March to 23 April 2022, an exhibition space with a potent vocation to support young artists and with a section entirely dedicated to them entitled .Young volition go on prove in the Kromya gimmicky art gallery in Lugano;
• From 27 April to v May 2022 they will exist exhibited in Bellinzona, in the splendid setting of the Sala del Patriziato of the Municipality of Bellinzona, in the center.

It is a unique project that, thanks to the great delivery of the Rotary Clubs involved, takes the selected artists out of the institutional infinite of the museum to run into unlike realities of the cultural sector: from the art gallery, an essential entity to ensure that the creative person encounters the market and collectors, to an exhibition venue in the celebrated center. All in different places in the expanse, giving young artists further visibility and the possibility of meeting.

The competition and the exhibitions are fabricated possible by the collaboration between the Rotary Clubs Bellinzona, Lugano, Lugano-Lago, Mendrisio and Rotaract Club Ticino, in synergy with the Chiasso Cultural Eye and specifically the management of the max museum and the Spazio Officina.

Anticipated by a vernissage on Thursday 17 at eighteen.00, the flavour of photographic exhibitions at Casa Pessina in Ligornetto - the space that the city of Mendrisio dedicates to the photographic scene - starts once more in 2022 with the 16th chapter of a flavour that the Mendrisio Art Museum opened 7 years ago and has been able to cleave out an important part equally a specific and defended exhibition venue.
Facing Scapes is a "iv-handed" project that brings together the results of two different photographers: Fabio Tasca and Giuseppe Chietera. The exhibition, curated by Barbara Paltenghi Malacrida, proposes their corresponding reflections on the theme of the landscape and on the human relationship with space through an exhibition that sees the works coexist in a dialogue of vision admitting relatively to geographically distant places. A contiguity of distance that allows an expressive and lucid comparison betwixt Fabio Tasca'southward black and white images and Giuseppe Chietera'southward color ones. Equally Vega Tescari writes in the beautiful critical essay in the catalog «The photographed spaces expect at each other and dialogue, only at a distance, they are not reflected in each other. They outline a concrete and physical path, just also a mental and imaginary one. The black and white of Tasca and the colour of Chietera belong to the same geography, largely indefinable: places that the gaze transforms into views or panoramas. The reference to the view (scape) mentioned in the title has an interrogative rather than an enunciative character. If information technology weren't for the captions that point towards a sure place, it would non be possible to say where you are ».
Hours: Saturday and Dominicus 14.00-eighteen.00

Image from Mendrisiotto Turismo

It volition be the poet himself who wrote the collection, Fabiano Alborghetti, to read selected passages from his latest editorial release. With him the actor Massimiliano Zampetti, with original musical estimation for synths and samplers by Federica Gennai and Emmanuel Pfi rter, percussion and handpan.

The occasion is Earth Poetry Mean solar day, which is historic every 21 March. The poet Fabiano Alborghetti (Swiss Literature Prize 2018) presents his latest publication, Corpuscles of Krause (Gabriele Capelli Ed., 2022), through an unpublished recital, accompanied in the reading by the actor Massimiliano Zampetti and by the music equanimous by Federica Gennai and Emmanuel Pfi rter, which act as the soundtrack.

Corpuscles of Krause

Corpuscles of Krause is an unusual drove of verses, in which for the first time the poet moves away from the novel in verse and adopts the short dimension. Cities, archaeological excavations, quantum physics, mourning, the world of work, disease, botany come together, without e'er abandoning the almost civil and profound, intimate vein. Corpuscles, thermal and sensory stresses that emerge, similar a breath or perhaps a trace.

In collaboration with the ChiassoLetteraria Festival

Free entrance

Vincenzo Vela Museum

Largo Vincenzo Vela 5A,
6853 Ligornetto,
Switzerland
Vincenzo Vela Museum

Curated by Clara Caverzasio e Viviana Kasam Joy, the project was born from the collaboration between BrainCircleLugano and BrainCircleItalia: "Emotions are an essential part of everyone'due south life. They condition thoughts and actions, they guide our behaviors. They influence the way we think, likewise equally all areas of our life: from wellness to school, from courts to art, from politics to sport, to the economy ". Even so a great emotional ignorance persists, a great tendency to ignore this cardinal attribute of life. Indeed, until a few years ago, emotions were considered an obstacle to rationality, an exquisitely feminine handicap, which made clear and positive thinking incommunicable.

"At present - proceed the curators - cheers to neuroscience we know that on the opposite, emotions depend on the mind rather than oppose it, and play a part of bang-up importance both in evolution and in training and cognitive processes. In fact, the ability to limited and experience emotions not but makes our lives fuller and more colorful but is indispensable for implementing rational behaviors ".

BrainForum: Emotions

Halfway through the journeying undertaken with Emotions - The Traveling BrainForum on emotions defended to female person scientists -, with this new series of Pills nosotros also desire to requite a phonation to the male universe. A earth in which emotions are oft condemning to repression, sometimes experienced as a weakness and, in the best of cases, unheard.

Emotions: the point of view of men. You meet them

Internationally renowned scientists and experts volition talk about the almost innovative research on emotions. To inaugurate the series, on March 9, a heart specialist, Stefanos Demertzis, head of cardiac surgery at the Cardiocentro Ticino in Lugano (CH), associate professor at the University of Bern (CH) and the University of Italian Switzerland, Lugano (CH). And not surprisingly, since for centuries the heart has been considered the seat of the soul and emotions. However, endless subsequent discoveries in the field of neuroscience and cerebral science have demonstrated the decisive role of the central nervous system in the onset and regulation of emotions, downgrading the middle to a mere pump, albeit crucial for the survival of homo beings.

Today, even so, thanks to the latest discoveries, we return to pay close attending to this organ, and to the dumbo and unexpected dialogue it maintains with the brain. Considered until a few years ago, by the social sciences themselves, piffling more than an obstacle for the mind, emotions and then imposed themselves as the object of study of scientific enquiry, so much and then that in 2005 - and precisely in Switzerland - the first enquiry center in the world defended to the interdisciplinary report of emotions, CISA, Center Interfacultaire des Sciences Affectives - Université de Genève, where 120 researchers from the well-nigh diverse disciplines work: neuroscientists, philosophers, psychologists, researchers in social sciences and medicine, economists , ethologists, jurists, computer researchers….

• Talking to the states about what has been called the Revolution of emotions, the managing director of the center, David Sanders and the Caput of the Research Unit of Applied Affective Sciences of the Geneva Middle, Marcello Mortillaro. With them, on March sixteen, nosotros will review the state of the art of research in this vast surface area.
• The indologist Giuliano Boccali, one of the leading experts in Indian civilization and literature, former professor at the University of Venice Ca 'Foscari and the Academy of Milan, on March 23 will offer usa a series of reflections on the different way in which cultures and Western and Eastern societies await at emotions and the brain, and the relationship between them. This will highlight the entirely Western prejudice that emotions are not educable (if ever we talk about repressing them or letting them manifest without restraint), in the face of millennial practices in Republic of india or Japan aimed at cultivating and refining them.
• On March thirty it volition therefore be the turn of the neuroscientist Giorgio Vallortigara, professor of Neuroscience at the Center for Mind-Brain Sciences of the University of Trento, of which he was also manager, with whom we will broaden our gaze on emotions fifty-fifty more. Author of numerous studies and publications, among the most recent "Thoughts of the fly with a crooked head" Adelphi, 2021, and "Built-in Knowing", MIT Printing, 2021, Vallortigara will assist us understand what animals' emotions say about united states of america, including anthropomorphism and "anthropodynamic".
• Moshé Bar, one of the most eminent cognitive neuroscientists of his generation, director of the Gonda Multidisciplinary Brain Enquiry Eye at Bar-Ilan University in Tel Aviv, will talk on Apr six almost how and why our brains are constantly agile, fifty-fifty when nosotros are awake and not there. we realize that we are grinding thoughts: to this constant wandering of the mind, of which we are not fully aware, our brain dedicates upwardly to 47% of its activity. Just a few days ago his latest book (Mindwandering.How Your Constant Mental Drift Tin Improve Your Mood and Boost Your Creativity) was released which contains years of research on this singular activity of our encephalon, patently incomprehensible from an evolutionary indicate of view, and in in which emotions play an important office.
• The series closes on April thirteen, the philosopher and economist, Matteo Motterlini, full professor of Philosophy of science at the Vita-Salute San Raffaele Academy of Milan, and specialized in neuroeconomics, who will explain to united states how nosotros are not those rational and infallible "utility" calculators described in economic models. Indeed, as emerges from the latest contributions of neuroeconomics, our economic choices practice not necessarily take to do with money, but with our emotions: they are the detail product of an incessant negotiation between passion and reason, between affects and cognitions and of the synapse play of the corresponding brain areas.

The meetings tin be followed in live streaming on Youtube and on the Facebook pages of BrainCircle Lugano and BrainCircle Italia. The recordings volition then exist available on the sites BrianCircle Lugano e BrainCircle Italia.

There are 150 galleries that will exhibit their masterpieces in miart 2022. 21 countries represented in Milan from 1 to 3 April, thanks to the not bad international fair of modern and contemporary art organized by Fiera Milano.

April volition exist a month full of important events for the art world and for Milan in particular. In this context, Miart will be the showtime art fair of 2022 organized in Italy and among the first in Europe. It will exist the 2d edition chaired past Nicola Ricciardi, who wants to strengthen the international telescopic of the event and puts the link with the city back at the center, once again playing a leading role inside and outside the exhibition center.

The fair, simply seven months after the 2021 edition - exceptionally organized in September due to the covid-19 pandemic - officially opens its doors on April 31st, simply the inauguration will be preceded past a VIP preview on March XNUMXst.

An unmissable issue for the public and Italian and international collectors in search of the peachy masterpieces of the early twentieth century as well every bit the creations of the latest generations of artists and designers.

Miart 2022 again welcomes all major Italian galleries and strengthens its international reach and overall quality thank you to several boggling newcomers and a solid group of galleries returning to Milan after a few years off. Among these: Alfonso Artiaco (Naples), Cardi Gallery (Milan, London), ChertLüdde (Berlin), Ciaccia Levi (Paris), Immigration (New York, Brussels, Beverly Hills), Galleria Continua (San Gimignano, Beijing, Les Moulins, Habana, Rome, San Paolo, Paris, Dubai), Raffaella Cortese (Milan), Corvi-Mora (London), Monica De Cardenas (Milan, Zuoz, Lugano), Galleria Volker Diehl (Berlin), Galleria dello Scudo (Verona), Galleria d'Arte Maggiore GAM (Bologna, Paris, Milan), kaufmann repetto (Milan, New York), Galerie Peter Kilchmann (Zurich), KLEMM'Southward (Berlin), Andrew Kreps Gallery (New York), KÖNIG GALERIE (Berlin), galerie Lange + Pult (Zurich, Auvernier), Lelong & Co. (Paris, New York), Madragoa (Lisbon), Magazzino (Rome), Mai 36 Galerie (Zurich), Gió Marconi (Milan), Mazzoleni (London, Turin), Meyer Riegger (Berlin), FRANCESCA MININI (Milan), Massimo Minini Gallery (Brescia), Misako & Rosen (Tokyo), Montrasio Arte (Milan, Monza), Franco Noero Gallery (Turin), P420 (Bologna) , Michel Rein (Paris, Brussels), Repetto Gallery (London), ROBILANT + VOENA (London, Milan, New York, Paris), LIA RUMMA (Milan, Naples), Richard Saltoun Gallery (London, Rome), Sans titre (2016 ) (Paris), Smac gallery (Cape Town, Johannesburg, Stellenbosch), Tornabuoni Arte (Florence, Milan, Forte dei Marmi, Crans Montana, Paris), Vistamare (Pescara, Milan), Galerie Hubert Winter (Vienna), and Zip ... (Milan).

All projects have been carefully selected by a committee with the aim of presenting a coherent and orderly combination, promoting dialogues between galleries, iconic artists and new talents, honoring tradition and looking to the futurity.

The sections

In that location are three sections in which the galleries are organized:

• established, the main section of miart which hosts, for the starting time fourth dimension together, galleries that showroom works of the well-nigh gimmicky and those defended to the fine art of the twentieth century, without forgetting those agile in the field of collecting and design pattern, offering a selection that ranges from the masters of the twentieth century to the most recent productions;
• Decades, curated by Alberto Salvadori, which explores the history of the twentieth century through a succession of monographic projects dating from 1910 to 2010;
• Emergent, curated past Attilia Fattori Franchini, presents young galleries whose programming focuses on the latest generations.

The goal of the 26th edition is to kick off a new stage, the starting time movement of a possible new symphony.

First movement, the theme of this edition

The outset movement - theme chosen for this edition - refers to the "musical form in several parts" and represents the want to speed upwards a sector that today, after a positive fall season of international fairs, feels set to lengthen its step and have a leap in forrard.

It will be this term to define a series of initiatives and collaborations with realities and institutions belonging to the world of music, dance, operation, aimed at ensuring that miart is offset and foremost a stimulus to movement, all together - gallery owners, collectors , artists, citizens and visitors - in search of the perfect performance of a symphony only possible through collaboration and cohesion.

The fair will also be the occasion for a new edition of Milan Art Calendar week, the popular event - developed in collaboration with the Department of Culture of the Municipality of Milan - which has spread throughout the city celebrating the major local public institutions and private foundations. All the main exhibitions of the flavour are scheduled during the miart, including Elmgreen & Dragsetat Fondazione Prada, Artur Zmijewski at the PAC - Pavilion of Contemporary Fine art, Yuli Yamagata in Ordet and Steve McQueenat Pirelli HangarBicocca. In add-on, it will be possible to visit the exhibitions already open up in the metropolis, such equally the big group show on Tiziano and his peers at Palazzo Reale, Anicka Yi at Pirelli HangarBicocca, and Miriam Cahn at the ICA Foundation.

The complete calendar of initiatives will be available soon on the miart website.

In the photo, an image from the past edition.

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DIGITAL EDITION

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Source: https://www.ticinowelcome.ch/en/itemlist/tag/museums-and-cultural-institutions

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